LEONARDO'S MIRROR: REFLECTIONS ON THE EMERGENCE OF GEOLOGY AND EVOLUTIONARY THOUGHT DURING THE RENAISSANCE , THE SCIENTIFIC REVOLUTION, AND THE ENLIGHTENMENT
Art history spanning the Renaissance to the Enlightenment (and beyond) records a growing interest in the structure of the Earth, soils, erosion, earthquakes, floods, river flow, evolution, etc. Notable contributions come from 15th-16th Cy artists such as di Giorgio, Leonardo, Galileo, and Dürer and 17th Cy artists such as Rubens, van Goyen, and Ruisdael. Even the 19th Cy (Romantic) works of Ruskin and Turner are consonant with emergence of an evolutionary perspective of naturedespite Ruskin's hostility towards Darwin's ideas. Thomas Jefferson's coordinate surveys of America are the outgrowth and American epitome of the geometric study of the landscape. Early on, geometry standardized the description of nature and provided the means of depicting it to scale which, as Edgerton has stated, contributed to the development of democracy for such works communicate the same information to anyone with a modest education. Later, geometric transformations of space made it possible to visualize evolution. Thus, the origin of evolutionary science is, like all of the other sciences, integral to the development of democracy, which we celebrate here in Philadelphia, the epicenter of the American Experiment.